Macro Lens Nikon
Nikon Coolpix S8000 (black)
A nice design and a couple extra features keep the Nikon Coolpix S8000 from being an also-ran compact megazoom.

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Macro Lens Nikon

Zoom Lens Nikon

What Lens Should I Obtain For My Dslr Camera?

One of the most important advantages of DSLR cameras (i.e. semi-professional and professional) is the ability to use different lenses. However deciding on what lens to buy and what lens is suitable for a specific type of photography is a bit difficult. In this article we learn about advantages and main purpose of using specific types of lenses, hoping that we make it easier for you to decide.

Let's have a look at different types of lenses and learn when they are used.

Prime Lenses and Zoom Lenses: A lens with a fixed focal length is being called a prime lens. This is opposite to zoom lenses which have varying focal length. As the focal length is fixed, in order to compose a photo you will need to adjust your distance to the scene to have specific objects or people in the photo. In zoom lenses, you will use the zoom level to compose the photo instead of changing the distance of camera to the scene.

Prime lenses have a more simple build than zoom lenses and they can be designed to have very much better performance, sharpness and quality than zoom lenses. Zoom lenses normally show different types of errors in different focal lengths while prime lenses have the least amount of such errors. Prime lenses are very compact and much smaller than zoom lenses. Their price is also cheaper than zoom lenses in an equal aperture size. You can buy a 50mm f/1.8 lens for a Canon or Nikon camera for around $100 while a zoom lens with the same aperture size might cost above $1000.

Aperture Size: Bigger aperture sizes (i.e. smaller f number) like f/1.4, f/1.8 and f/2 provide more light to the camera sensor and therefore are faster lenses (photo can be taken in a faster shutter time). However zoom lenses with bigger aperture size might be unbelievably expensive. F number is calculated by dividing the focal length to the aperture diameter. As an example if the aperture size (i.e. diaphragm window) of 50mm lens is set to 6.25mm the f number will be 50mm/6.25mm=8 meaning that with this aperture size, lens has been set to f/8.

Normal Prime Lens: A prime lens (i.e. with a fixed focal point) with a focal length of 50mm is called a normal lens. Photos taken with a 50mm lens seem similar to what our eyes see at the scene (perspective, angles etc). Canon, Nikon and some other DSLR brands, as mentioned in previous section, sell normal lenses with f/1.8 aperture size or better (like f/1.4) with a cheap price. An f/1.8 normal lens is suitable for relatively low light conditions and produces sharp and bright photos.

Short Zoom lenses: Zoom lenses which cover the range of up to 50-60mm can be considered in this category. Examples of these lenses are 35-70mm f/3.4-4.5 and 28-70mm f/3.5-4.5 lenses. Nowadays some Canon and Nikon models are offered with a cheap 18-55mm f/3.5-4.5 lens. These lenses can be considered short zoom lenses while they also cover wide and super wide range.

Super zoom lenses: These are the types which cover a super big range. Super zoom lenses like a 18-200mm lens cover wide-angle as well as tele-focal lengths.

However the most important feature of these lenses is their convenience of avoiding lens change. These lenses can offer almost every focal length you need and therefore they are sometimes being called as "walk around lenses". If convenience is not a matter for you, we recommend you to use more than one lens which have a better performance in a smaller focal length range.

Wide-angle and Ultra Wide-angle lenses: Lenses with a focal length of 21mm to 35mm are normally called wide-angle lenses. Lenses with a focal length of less than 21mm are called ultra wide-angle lenses. These lenses can be either prime lenses or varying focal length ones (zoom lenses). Wide-angle prime lenses have better aperture sizes (in the range of f/1.4 to f2.8) than wide-angle zoom lenses (aperture sizes of f/3.5-f/4.5 most of the time). Again the zoom types provide flexibility while prime lenses provide sharper photos, cheaper price and bigger aperture size (i.e. better photos in low light conditions). There are also zoom lenses which just cover wide and super wide ranges. These include 21-35mm, 18-28mm lenses.

The large coverage angle is also one of the benefits of wide and super wide lenses. An ultra wide lens can sometimes capture up to a 90 degrees angle or even more.

Wide and ultra wide lenses normally have perspective distortion. This kind of distortion causes the nearby images to be photographed very much bigger than far away objects. These lenses are suitable for taking photos inside buildings, street photography and so on.

If you mostly shoot inside buildings, a lens covering focal lengths of 28mm or below will be suitable. This kind of lens allows you to capture a considerable angle of a scene without the need to have a big distance with the subject(s). However, if you shoot portraits and nature a longer range lens will be more useful. In these cases a 35-135mm lens is very good.

Long telephoto lenses: Lenses with a focal length of 135mm or above are normally considered as long telephoto lenses. Tele lenses which have varying focal length are called telephoto zoom lenses while those with a fixed focal length are simply called telephoto lenses. You can easily find 55-200mm, 55-250mm, 70-300mm, and similar telephoto zoom lenses for most of the DSLR brands. However because of the big range of the lens and complicated design, different focal lengths of the lenses might show different errors and quality. These lenses normally have a lower performance than short zoom lenses and fixed focal length telephoto lenses. A 200mm telephoto prime lens is an example of non-zoom telephoto lenses.

Medium telephoto lenses:
Lenses with focal length of the range 85-135mm are sometimes referred as portrait lenses. This is because their perspective distortion is low and a suitable distance between the subject person and camera can be maintained. Many telephoto zoom lenses can be used in this range, but they are heavier, bigger and their maximum aperture size is smaller than prime lenses. However if you shoot a lot of portraits, you would rather use medium prime telephoto lenses like with a focal length of between 85mm and 105mm maximum aperture size of f/2. Prime medium telephoto lenses have less perspective error and as mentioned earlier their image quality is sharper and brighter and bigger aperture size prime lenses are cheaper than zoom lenses with the same maximum aperture size.

Macro Lenses: Macro lenses are designed to provide very high level of magnification and also very short focusing distances. In normal zoom lenses minimum focus distance (i.e. the distance between lens and the object) is normally larger than 30 cm. This distance is a few centimeters for macro lenses so you can take photos from a shorter distance and have a sharp and very detailed photo of a very small object (like a small flower or a bee).

About the Author

Mac Sarmady writes for Society50 social networking website. You can visit Photography Club of Society50 to ask your questions or just to get advise on any photography issue.

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Zoom Lens Nikon

Mirror Lens Nikon
No Camera? No Problem!
WY MANN Liew, a 17-year-old student, has a passion for photography. The ironic thing is, he does not own a camera. Not a DSLR, or even a compact camera! What does he use then?

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The Basics of SLR Photography

Nowadays, according to psychologists, more and more people are getting visually inclined. In other words, most of us love to use our eyes!

In what ways do we use our eyes for?

We use our eyes to view things in our environment. However, through time, man has devised ways on how to preserve the things we see, whether these are beautiful or not, and one of which is by way of using cameras.

These days, the biggest sellers in the camera market are the so-called digital SLR cameras.

Just what is an SLR camera?

SLR is an acronym for Single Lens Reflex. SLR cameras were the tools made for and used by professional photographers. Cameras such as these, similarly, make use of mirror that reflects light entering the lens up into the eye piece or the viewfinder. Thus, a photographer can gauge how the image or picture will look like. Moreover, a SLR camera uses lenses that are interchangeable. Hence, this camera can be used for long distance telephoto photography or close-up macro photography.

A digital SLR or DSLR camera is dependent on lenses and mirror and their optical capabilities. However a DSLR camera uses light sensor chips and digital memory cards instead of films, basically a computerized version of the abovementioned camera.

The following summarizes the comparison between DSLR and point and shoot cameras (SLRs):

1.    DSLRs and SLRs use interchangeable lenses for better resolution.

2.    Any picture you take using SLRs and DSLRs is usually crisper, cleaner and fine upon reproduction.

3.    DSLRs have a higher speed when it comes to focusing and taking pictures

4.    DSLRs perform better at low lighting conditions by using ISO speeds. These cameras have lesser granularity.

5.    DSLRS provide more professional power over depth of field, light, and responsiveness.

6.    DSLRs provide a more immediate feedback as they use digital chips or light sensing CCDs that translate incoming light rays into digital pictures.

7.    DSLRs and SLRs cost more than point and shoot cameras.

8.    DSLRs and SLRs are usually heavier than some point and shoot models.

Some sample DSLR models are listed below:

Prosumer models:

•    Canon EOS 10D

•    Canon EOS Digital Rebel XT

•    Nikon D50

•    Nikon D70s

•    Pentax *ist DS

Professional Models:

•    Canon EOS 1D Mark II

•    Canon EOS 20D

•    Fuji Finepix S3 Pro

•    Nikon D2x

Who actually wants DSLRs? Anyone wants to have crisper and clearer pictures-be it a hobbyist or a professional photographer can opt for a DSLR model. Anyone who will not bother carrying bigger cameras on trips in order to bring back topnotch photos can make use of DSLRs.

Like all electronic and computerized gadgets, digital models tend to get cheaper yet better over time. For sure, DSLRs will eventually migrate down to consumer cameras: ability to take bursts of 10 frames in a few seconds, quick response time, higher resolution image sensors, and accurate auto-focus, among others.

The only thing that will remain constant are the laws of optics-you will not get the same results from a finger-nail sized lens as with larger lenses used by professional users. Also the fact that people do not have enough money all the time remains the same through time.

If you plan to take photography as a profession, practice shooting some shots using prosumers models and consider budget and quality of lenses before you say, "Big Cheese"!

About the Author

Go to the Boxing Tips website for information on tips on boxing. Visit the Beans Nutrition website for info on nutrition in beans. Want to learn everything on largest spider? Visit the Biggest Spider website.

Mirror Lens Nikon

Angle Lens Nikon

What are YOU looking for in your next camera lens?

It is true that all lenses basically have but one function - to let light into your camera and focus it to make a sharp image on the sensor (or film) - but do not overlook the importance of choosing the right lens for the photography that YOU are interested in.

Are you into landscape photography? If so, the wide-angle lens - typically 18mm-35mm - may be what you need. The 20mm is also quite popular for shooting landscapes (as well as working in tight quarters indoors, whether shooting architecture or groups of people. A 20mm f/2.8, for example, is great for shooting in low light and is quite a fast lens.

If you enjoy wildlife photography you will, no doubt, want a telephoto lens. 70mm-300mm, 100mm-400mm and others, are available. There are also 1.4x and 2x tele-extenders you can attach to the end of your telephoto lens that will turn your 400mm lens into a 560mm or 800mm lens. If you are shooting digital, it gets even better! If your telephoto extends to 400mm and your camera ratio is 1.6+- you are actually at c.640mm - and adding a 1.4x tele-extender takes this to a whopping c.896mm! Now if you have this same lens and screw a 2x tele-extender on the end you are at c.1280mm!
That is reaching WAY out - allowing for some awesome opportunities - however you MUST have a steady tripod for sharp images. You will NOT be handholding this setup! And you will be focusing manually.

You may be more interested in portrait photography. If so - and you are shooting digital - you may select a prime lens- perhaps an 85mm - for your shooting. Perhaps a medium telephoto, such as a 24mm-70mm, would allow you the flexibility you need for a little variety.

Do you like getting ‘up close and personal' with macro photography? Then a macro lens may be right up your alley. Many of the standard lens - like Canon's 100mm macro or Nikon's 105mm f/2.8d are excellent for focusing within inches of your tiny little subject. There are also economical ways to get even closer - perhaps with a 58mm close-up lens 500D - that screws right onto the end of your macro lens. Of course, if you have the time and resources you can get into serious macro shooting with the stands, bellows, ring-lites, etc. More time - more money - but awesome images!

Is event photography your passion? Now you have to consider both focal length and speed. You need enough focal length to pull in the action and a large enough aperture to stop it in its tracks! Many pros have an extremely large prime lens - i.e. 600mm f/4. This allows pulling in the action from a considerable distance AND the ability to shoot with a fast shutter speed - without which you are not going to end up with the sharpest images. These lenses do awesome things - and at the price they cost - they should. However you CAN do great event photography, without breaking the bank!

So many lenses - so little time
Yes, whatever field of photography you enjoy, there is a lens waiting for you. Select the lens that YOU are going to use. Select the best quality that you can afford - and get out there and get shooting!

For more information on this and other related subjects you may want to read the article:
http://www.you-can-do-great-photography.com/camera-lens.html

This article authored by: You-Can-Do-Great-Photography.com

About the Author

This article was authored by You-Can-Do-Great-Photography.com

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Aslin's photo hobby turns into a book
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Camera 450D - A Full Fledged Slr

I have gained the Camera 450D with 2 kit lenses (18-55mm and 55-250mm), and thus actually a good basic equipment.

First off the camera:

It is beyond the scope, exhaustively list all, for a total of the Camera 450D is already a real miracle. Therefore I will confine myself to points which have struck me particularly.

First there is the image sensor. This is APS-C format, which is slightly smaller than Small. This essentially has the following effects:

A smaller sensor does not take on as much light as a larger, making it at the same resolution is theoretically somewhat greater noise than a full frame sensor. However, an APS-C sensor is still a size of 22.2 x14, 8mm (for comparison, Small or full-frame sensor: 36x24mm). So that is smaller (even smaller than the sensors in Nikon cameras), but if you are honest, especially in comparison to conventional image sensors, compact cameras and even those of Olympus SLRs are still quite large. The advantage of smaller size compared to full frame is first time clearly the price. Here one need only look at an example of Canon's EOS 5D or 1D models.

The reason why I'm flogging so long on the sensor is that the final choice was for me. The Four Thirds sensor of Olympus (17,3 x13, 0mm) According to my research, provides for a visible but more noise. Since I can not provide a Full frame camera (and I doubt if it is really necessary for my purposes), I feel the sensors of Canon and Nikon outstanding as the best compromise between affordability and real image quality.

And so we were already in the conclusion to the image sensor: As indicated, APS-C is a quite large size and thus in a position to really capture excellent images. Moreover, technological progress does not stop even before image sensors, so that the light sensitivity of today's APS-C (sensors so old, the Camera 450D is not even) but significantly higher than the much older models.

That the sensor is slightly smaller, in addition to the somewhat more compact design of the camera is another significant effect: the focal length of the mounted lens is extended by a factor of 1.6. Full be extended from the second to the 250mm kit lens also 400mm. This one can stand as you want, I like Tele (or I) would hardly ordered this kit, so I find fine.

Enough to the image sensor. Furthermore, it was important to me, really can manually adjust everything before I press the shutter button. The fun of photography, I found a 30 years old Praktica. The play was completely without batteries. So, no autofocus, no aperture and shutter speed automatics. Not even a built-in light meter, or a flash. One might call it cumbersome to waive certain automatic modes, but exactly the same way makes my photography fun. And that's why I needed after the sudden death of a new Praktica SLR. To make it short: With the Camera 450D I can first time just shooting. And it is fun again (no comparison to compact). 'Next time' because there are some differences:

- A white balance was not possible with the Praktica. The automatic is on the EOS natural light usually very reliable, the manual is easy to quarrel and help whenever it's automatic or assaults do not fit the presets () for example, in artificial light.
- The built-in light meter makes photography even more convenient than the separate of the time. One can indeed much closer to target (through the eyepiece and not free) hand
- You can see images immediately rather than days / weeks later and I can just try again, if the picture has become nothing.

To become great with digital cameras all may sound trite, but I would just take pictures as large as with the purely mechanical Praktica on film, knows certain advantages to the digicam, but certainly appreciated. That is what comes with the Camera 450D. To me, it was a dream at last.

In all the great gadgets like LiveView on the LCD, picture styles, and other automatic programs I do not want to dwell. Anyone who chooses a camera for such items should seriously ask themselves whether he really wants to spend all that money for a SLR, or if it does not still a good compact at half price. Also in this area has been done in recent years, amazing.

Much more important is a camera indeed what comes out at the end: the image quality. Since I almost anything manual setting, it was inevitable that the very first recordings under the committee is sometimes. At least my own fault, and then change the corresponding settings. Ultimately, it will always be of great beauty when I got out and then just itself, and not the automatic camera. Thanks to the successful menus and largely very ergonomic layout of the buttons and the wheel settings are quickly made, so that (if a bit familiar with the camera) can make the snapshot. Details such as an incorrect white balance can be with the regular software, the Canon ascribes to correct even retrospectively. The prerequisite is of course that you shot in RAW format. But who buys itself a reflex, to have his pictures on the camera only as a JPEG to have?

When I initially wrote about the image sensor, I mentioned the connection between sensor size and noise performance. Here you can clearly be given all-clear: Up to ISO 400 was on location on the day of rushing anything. From ISO 800, depending on lighting conditions, it is more or less visible. At ISO 1600 is visible especially in artificially strong noise, for prints up to A5, but the images are used to at least. Perhaps even more for larger ones. In natural light, the noise even at ISO 1600 but is still acceptable, although it is somewhat dependent on the colors and the brightness of the faces in the photo.

I also really like the battery: the user base is not easy. If you take the camera into the desert, will assume a more water as the camera of the juice. I think the least- Camera 450D owners will necessarily need a second battery.

Perhaps a few sentences for processing: The case is indeed "only" made of plastic, but it all seems very stable, very firm, grippy, Passig. Plastic should be nothing wrong. No one buys a camera to play with football. If they are the purpose of adequately treated, should keep a camera with plastic as good as a metal casing. Today there are already so good plastics, that the question of metal or plastic is rather an aesthetic. I think the Camera 450D is proof of many of this.

My conclusion to the camera, then, is in this price range will be comparable with other manufacturers may not find hardly anything better.

Since I bought a kit with 2 lenses, I would also like to touch on them.
Since image circle, light intensity, autofocus and image stabilizer lenses are comparable, differ only the focal lengths, I will assess both together.

In my recent experience, they are suitable for outdoor day and long exposures at night equally well. The display quality corresponds almost exactly to what I would have liked for my purposes. Why do I restrict the one on location? With maximum aperture of F3, 5 (standard lens) and F4, 0 (Tele) is the luminous intensity is OK, but just nothing too Thick. In good light it is therefore possible at ISO 200 to 400 also moved well photographed objects.

For very fast movements have to take that higher ISO values, so that one gets when the necessary

More Detail...

About the Author

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Nikon Coolpix P50 Review and Its Features

Nikon is pleased to announce the introduction of the Nikon COOLPIX P50, a new model which prioritizes photographic performance by blending orthodox camera styling with an advanced feature set and operating ease. Built on a custom application of Nikon's innovative EXPEED digital image processing concept and incorporating the precision optics of a NIKKOR lens, the COOLPIX P50 is built to realise optimum performance and maximum image quality.

The P50 has an old-fashioned, boxy feel. The chunky grip for your right hand, complete with rubberized panel, is helpful, but we're not sure about the overall chunky design. We appreciate that not every camera has to be a 'style' model, competing to be the thinnest for five minutes. But to make a camera as willfully bland as this seems strange.

Nikon is celebrating ten years of Coolpix cameras, which have brought Nikon’s world-class optics, expertise in digital imaging and outstanding image quality into the hands of millions of consumers. Building on these achievements, Nikon Europe announced 8 new Nikon Coolpix models in the Performance, Style and Life series. Friendly, fashionable and fun, the sleek, colourful and powerful Coolpix cameras will be any consumer’s constant companions. The new Coolpix cameras continue Nikon’s uncompromising commitment to optical quality, powerful but easy to use technology, and to helping photographers create great images.

Moving to the right hand flank of the camera – if still viewed from the rear – a covered AV out and USB port is discovered, hiding beneath a loop for attaching the supplied wrist strap. At the opposite side of the P50 nestles a built in speaker that provides tinny but adequate sound. The base of the Nikon Coolpix P50 features a screw thread for attaching a tripod, a slide and open lid that hides the compartment for the twin AAs and Secure Digital card, while there's a further port for attaching the supplied multi purpose AV and USB cable. Battery life is pretty much as expected given that everything is running on AAs – meaning that I found they were almost spent after a couple of afternoons' use, and just over 100 shots.

Features:-

Slowest Shutter Speed - 4

Fastest Shutter Speed - 1000

Screen Size - 2.4 in

Screen Resolution - 115,000

Screen Type - LCD

Maximum ISO - 2000

Widest Focal Length - 28 mm

Longest Focal Length - 102 mm

Maximum Aperture - f/2.8

Zoom - 3.6

Video Resolution - Up to 640x480

Video Frames per second - 30

Battery - 2x AA Alkaline

Battery Life - Approx. 140 shots

Width - 3.8 in

Height - 2.6 in

Depth - 1.8 in

Weight - 5.6 oz

About the Author

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330682570772 0 Lens Nikon Slr
045x 52mm Wide Angle Lens Nikon D3000 D5000 D40 D60 D90 D SLR D7000 D3100 D5100
US $16.79
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200708270887 0 Lens Nikon Slr
Nikon Micro Nikkor Auto 135 55mm Non AI Lens Use on your SLR or DSLR
US $2.36
ebaygif Lens Nikon Slr
110818343309 0 Lens Nikon Slr
NIKON SIGMA 28 80MM MACRO D AF LENS f 35 56 DSLR SLR D90 N80 D80 D200 D300 D2X
US $56.00
ebaygif Lens Nikon Slr
270904886674 0 Lens Nikon Slr
Nikon 18 105mm f 35 56G Nikkor Digital SLR Camera VR AF S DX Lens D3100 D5100
US $188.50
ebaygif Lens Nikon Slr
390387454247 0 Lens Nikon Slr
LENSBABY COMPOSER SELECTIVE FOCUS SLR LENS NIKON F SPECIAL LENS LBC082187 CAMER
US $175.00
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200708286702 0 Lens Nikon Slr
NIKON QUANTARAY NF AF f 35 80mm f4 56 SLR MACRO LENS
US $55.00
ebaygif Lens Nikon Slr
230739849998 0 Lens Nikon Slr
NIKON NIKKOR SLR LENS 70 210 14 56 AFUV FILTER SKY 1 A62mm made in USA
US $71.08
ebaygif Lens Nikon Slr
330680731866 0 Lens Nikon Slr
Nikon 70 300mm f 45 56G ED IF AF S VR Nikkor Zoom Lens for Nikon Digital SLR C
US $549.00
ebaygif Lens Nikon Slr
150749196209 0 Lens Nikon Slr
Nikon 500mm f 4G VR AF S Nikkor Super Telephoto Digital SLR Camera Lens
US $8,150.00
ebaygif Lens Nikon Slr
160730885955 0 Lens Nikon Slr
New 045x 52mm Wide Angle Lens for Nikon D3000 D5000 D40 D60 D90 D SLR D7000 D31
US $18.99
ebaygif Lens Nikon Slr
140696510577 0 Lens Nikon Slr
Nikon 55 300mm VR DX AF S Lens for D3100 D5100 D7000 Digital SLR Camera USA
US $242.51
ebaygif Lens Nikon Slr
120853271648 0 Lens Nikon Slr
Sigma 18 250mm f 35 63 DC OS HSM Lens Nikon Digital SLR 18 250 mm USA
US $469.00
ebaygif Lens Nikon Slr
270905377542 0 Lens Nikon Slr
Telephoto Lens for Nikon Digital SLR Cameras BRAND NEW
US $26.00
ebaygif Lens Nikon Slr
250986733443 0 Lens Nikon Slr
Soligor 35 200mm f 35 45 AIS SLR Macro Zoom Manual Nikon 35mm Film Camera Lens
US $2.26
ebaygif Lens Nikon Slr
160727933582 0 Lens Nikon Slr
EX NIKON NIKKOR H AUTO 135 F28cm 28mm WIDE ANGLE NON AI LENS DSLR OR SLR
US $19.50
ebaygif Lens Nikon Slr
190636993453 0 Lens Nikon Slr
52mm WIDE ANGLE 042x Fisheye LENS For Nikon Digital SLR D3100 D5100 D7000 D3000
US $36.98
ebaygif Lens Nikon Slr
250986760294 0 Lens Nikon Slr
Nikon 80 200mm f 45 AI Mount SLR Telephoto Zoom Manual 35mm Film Camera Lens
US $10.00
ebaygif Lens Nikon Slr
140694703800 0 Lens Nikon Slr
Nikon 70 300mm f 45 56G ED IF AF S VR Nikkor Zoom Lens for Nikon Digital SLR
US $425.00
ebaygif Lens Nikon Slr
200710394156 0 Lens Nikon Slr
NEW 42x FISHEYE WIDE Macro Lens For 52mm Nikon SLR D90 D5000 D300s D40 D700 D3s
US $36.98
ebaygif Lens Nikon Slr

Lens Nikon Slr

Telephoto Lens Nikon
Nikon Coolpix P100 bridge camera
Superzoom with 1080p video – nice Review It's a Nikon; that name is certainly not tarnished with a reputation for cheap and nasty cameras. Even your friend who doesn't own a camera knows Nikons are a pure photographic mainstay. So for Nikon to make a £300 camera with all the features that an active hobbyist would need – well, it's a tall order.…

290665214889 0 Telephoto Lens Nikon
excellent NIKON AF NIKKOR 70 210mm f 4 56 telephoto macro LENS D200 D300 D700
US $129.00
ebaygif Telephoto Lens Nikon
150749196209 0 Telephoto Lens Nikon
Nikon 500mm f 4G VR AF S Nikkor Super Telephoto Digital SLR Camera Lens
US $8,150.00
ebaygif Telephoto Lens Nikon
120853955599 0 Telephoto Lens Nikon
Nikon AF 80 400mm f 45 56 ED VR Telephoto Zoom Lens
US $825.00
ebaygif Telephoto Lens Nikon
160727358541 0 Telephoto Lens Nikon
Nikon Nikkor 200mm f 4 AI s Manual Focus Telephoto Lens in original box
US $174.99
ebaygif Telephoto Lens Nikon
320840643603 0 Telephoto Lens Nikon
Nikon Nikkor AF 80 200mm f 28 D Telephoto Lens with Hood Accessories
US $680.08
ebaygif Telephoto Lens Nikon
330682570926 0 Telephoto Lens Nikon
New in Box 58mm HD 2x Telephoto Lens Nikon D3000 D3100 D5000 D50 D60 D70 D100
US $16.99
ebaygif Telephoto Lens Nikon
110818304376 0 Telephoto Lens Nikon
Sigma DG APO OS HSM 50 mm 500 mm F 45 63 Telephoto Lens For Nikon Zoom
US $999.95
ebaygif Telephoto Lens Nikon
120852866539 0 Telephoto Lens Nikon
Nikon 100mm f 28 Series E AIS Telephoto Lens 1871180
US $89.00
ebaygif Telephoto Lens Nikon
370583006153 0 Telephoto Lens Nikon
New 52mm 2x Telephoto Lens Nikon D3000 D5000 D40 D60 D90 D SLR D7000 D3100 D5100
US $16.99
ebaygif Telephoto Lens Nikon
160728928923 0 Telephoto Lens Nikon
Nikon AF S Nikkor 300mm f 4D IF ED Telephoto Lens LN w box instrctions pouch
US $900.00
ebaygif Telephoto Lens Nikon
160730885970 0 Telephoto Lens Nikon
New in Box 58mm 2x HD Telephoto Lens Nikon D3000 D3100 D5000 D50 D60 D70 D100
US $18.29
ebaygif Telephoto Lens Nikon
270904864187 0 Telephoto Lens Nikon
3 Lens Kit Telephoto Wide Angle Macro for Nikon D3100 D5100 D3000 D5000 D40 NEW
US $40.00
ebaygif Telephoto Lens Nikon
360429458804 0 Telephoto Lens Nikon
Nikon AF S DX Nikkor ED 55 200mm f 4 56 G VR IF Telephoto Zoom Lens 195379
US $22.50
ebaygif Telephoto Lens Nikon
360429458676 0 Telephoto Lens Nikon
Nikon AF S DX Nikkor ED 55 200mm f 4 56 G SWM Telephoto Lens 55 200 195539
US $21.50
ebaygif Telephoto Lens Nikon
270905174820 0 Telephoto Lens Nikon
Nikon Nikkor AF 75 300mm 145 56 Telephoto Zoom Lens
US $50.99
ebaygif Telephoto Lens Nikon
300658674899 0 Telephoto Lens Nikon
Nikon Nikkor USA 85mm f 14 D IF AF Telephoto Lens Spotless Perfect
US $834.56
ebaygif Telephoto Lens Nikon
120853331570 0 Telephoto Lens Nikon
Sigma Zoom Telephoto 120 300mm f 28 EX DG APO IF HSM Autofocus Lens for Nikon A
US $2,999.00
ebaygif Telephoto Lens Nikon
300658667709 0 Telephoto Lens Nikon
Vivitar 200mm 135 Auto Telephoto Lens with Nikon D100 Mount Excellent Glass
US $18.00
ebaygif Telephoto Lens Nikon
270907966016 0 Telephoto Lens Nikon
500mm 1000mm BOWER HD TELEPHOTO LENS WITH NIKON MOUNT NEW
US $115.95
ebaygif Telephoto Lens Nikon
120853449103 0 Telephoto Lens Nikon
Sigma Zoom AF a Nikon mount 35 135mm AF telephoto lens
US $78.99
ebaygif Telephoto Lens Nikon
250986760294 0 Telephoto Lens Nikon
Nikon 80 200mm f 45 AI Mount SLR Telephoto Zoom Manual 35mm Film Camera Lens
US $10.00
ebaygif Telephoto Lens Nikon
360431310897 0 Telephoto Lens Nikon
Nikon Nikkor Q 200mm f40 Telephoto Lens
US $10.10
ebaygif Telephoto Lens Nikon
280817187387 0 Telephoto Lens Nikon
Vintage Nikon Nikkor 200mm f40 QC Auto Telephoto lens non Ai muilticoated
US $18.50
ebaygif Telephoto Lens Nikon
160727966277 0 Telephoto Lens Nikon
Nikon Nikkor Q 135mm f28 Nippon Kogaku Telephoto Lens
US $5.50
ebaygif Telephoto Lens Nikon
270905377542 0 Telephoto Lens Nikon
Telephoto Lens for Nikon Digital SLR Cameras BRAND NEW
US $26.00
ebaygif Telephoto Lens Nikon

Telephoto Lens Nikon

Hsm Lens Nikon

What do DC EX and HSM mean?

What do DC EX and HSM mean? I found this lense:

http://cgi.ebay.com/Sigma-30mm-f-1-4-DC-EX-HSM-Lens-Nikon-Mount_W0QQitemZ180290379317QQcmdZViewItem?hash=item180290379317&_trkparms=39%3A1%7C66%3A2%7C65%3A15%7C240%3A1318&_trksid=p3286.c0.m14

on ebay. What do those abbreviations mean? Are they good, bad, or irrelevent?

DC = Digital Camera - optimnised for DSLRs with less than full frame sensors- for example APS-C sized sensors

EX - does not not really stand for anything, SIGMA use it to denote their premium lenses.

HSM - Hyper Sonic Motor- this is the fast and quiet autofocus motor built into the lens- each manufacturer has their own name for the same thing - such as Canon's USM

110818304376 0 Hsm Lens Nikon
Sigma DG APO OS HSM 50 mm 500 mm F 45 63 Telephoto Lens For Nikon Zoom
US $999.95
ebaygif Hsm Lens Nikon
290665138881 0 Hsm Lens Nikon
SIGMA 50 500mm f4 63 APO DG OS HSM LENS NIKON AF OPEN BOX
US $1,469.99
ebaygif Hsm Lens Nikon
290664238863 0 Hsm Lens Nikon
Sigma 30mm f 14 EX DC HSM Lens For Nikon DSLR EX
US $280.00
ebaygif Hsm Lens Nikon
120852975126 0 Hsm Lens Nikon
Sigma EX 150mm F 28 DG HSM APO Macro Lens for Nikon
US $317.00
ebaygif Hsm Lens Nikon
280819711542 0 Hsm Lens Nikon
Sigma EX EX IF HSM 100 mm 300 mm F 40 Lens For Nikon
US $400.00
ebaygif Hsm Lens Nikon
110818706151 0 Hsm Lens Nikon
Sigma 17 mm 70 mm F 28 4 HSM DC MACRO OS Lens For Nikon
US $419.99
ebaygif Hsm Lens Nikon
170775368709 0 Hsm Lens Nikon
Sigma 30mm f 14 EX DC HSM Autofocus Lens for Nikon D40 D60 D90 D3000 D7000 USA
US $459.00
ebaygif Hsm Lens Nikon
120853264412 0 Hsm Lens Nikon
Sigma 10 20mm f 4 56 EX DC HSM AF lens for Nikon 10 20
US $459.00
ebaygif Hsm Lens Nikon
120853264994 0 Hsm Lens Nikon
Sigma 10 20mm f 35 EX DC HSM Lens for Nikon 10 20 USA
US $619.00
ebaygif Hsm Lens Nikon
120853268362 0 Hsm Lens Nikon
Sigma 17 70mm 17 70 f 28 4 DC Macro OS HSM Lens Nikon
US $449.00
ebaygif Hsm Lens Nikon
120853271648 0 Hsm Lens Nikon
Sigma 18 250mm f 35 63 DC OS HSM Lens Nikon Digital SLR 18 250 mm USA
US $469.00
ebaygif Hsm Lens Nikon
120853274934 0 Hsm Lens Nikon
Sigma 24 70mm f 28 IF EX DG HSM Lens for Nikon 24 70
US $869.00
ebaygif Hsm Lens Nikon
120853331570 0 Hsm Lens Nikon
Sigma Zoom Telephoto 120 300mm f 28 EX DG APO IF HSM Autofocus Lens for Nikon A
US $2,999.00
ebaygif Hsm Lens Nikon
170775465431 0 Hsm Lens Nikon
Sigma 150 500mm f 5 63 DG APO OS HSM AF Lens f Nikon
US $1,029.00
ebaygif Hsm Lens Nikon
120853380477 0 Hsm Lens Nikon
Sigma 85mm f 14 EX DG HSM Lens for Nikon DSLR cameras
US $909.00
ebaygif Hsm Lens Nikon
120851987203 0 Hsm Lens Nikon
Nikon AFD AF D fit Sigma APO 70 mm 210 mm f28 Zoom Lens case not HSM
US $298.53
ebaygif Hsm Lens Nikon
200707864337 0 Hsm Lens Nikon
Sigma EX 70 200mm f 28 APO DG AF HSM Lens NIKON MOUNT
US $500.00
ebaygif Hsm Lens Nikon
250985372690 0 Hsm Lens Nikon
Sigma 50 mm 200 mm F 40 56 HSM DC OS IF Lens For Nikon
US $225.00
ebaygif Hsm Lens Nikon
250985377835 0 Hsm Lens Nikon
Sigma EX HSM DC DG 10 mm 20 mm F 40 56 Lens For Nikon
US $495.00
ebaygif Hsm Lens Nikon
250985381845 0 Hsm Lens Nikon
Sigma EX DC HSM Aspherical IF 10 mm 20 mm F 35 Lens For Nikon
US $610.00
ebaygif Hsm Lens Nikon
250985383031 0 Hsm Lens Nikon
Sigma 18 mm 250 mm F 35 63 HSM DC OS Aspherical IF Lens For Nikon
US $520.00
ebaygif Hsm Lens Nikon
320842086528 0 Hsm Lens Nikon
Sigma EX HSM Aspherical 14 mm F 28 Lens For Nikon
US $295.00
ebaygif Hsm Lens Nikon
160728952754 0 Hsm Lens Nikon
Sigma EX DG APO HSM RF 50 mm 500 mm F 40 63 Lens For Nikon
US $350.00
ebaygif Hsm Lens Nikon
320842246232 0 Hsm Lens Nikon
for Nikon 50 150mm f28 Sigma EX HSM APO DC Lens
US $489.00
ebaygif Hsm Lens Nikon
220947216065 0 Hsm Lens Nikon
Sigma EX APO HSM 50 500mm F4 63 AF D Lens For Nikon w Cap Case Box
US $495.00
ebaygif Hsm Lens Nikon

Canon T1i Or XSi - Kit Lens Or Upgrade - That is the Question

You are researching like you never have before, waffling back and forth between the two cameras because you can't decide if you need the video of the T1i or you just want to take great still photos, which the XSi will give you for over $100 less.

You decide on the T1i... Whew! Then you notice all the discussion about the kit lens in those camera forums.

"Wait, are you telling me I need to consider buying another lens in addition to the kit lens?" you ask. "Isn't there another way?"

Consider this. Get one lens instead of 2 or 3, but make it a good one. That way, you can keep the same lens on the camera for your wide angle landscapes or family photos, and just zoom in with your telephoto to take that action shot at the soccer game.

Canon (and Nikon) play the same game. They put a pretty good lens on their Rebel cameras as a kit lens. You get the camera and realize you want more... either quality or zoom capacity. So you are stuck in the position that many new DSLR owners find themselves... Which ADDITIONAL lens should I buy?

I have a suggestion for you. One word - Sigma 18-250mm F3.5-6.3 DC OS HSM Zoom Lens - OK, I lied, it's not one word. But it is a powerful suggestion. Image quality is awesome, it's great for wide angle and zoom, it has Optical Stabilization (same as anti-shake), and it will make you happy!

Nuf said.

Actually I do have something else. If you are interested in this idea, there is more information for your reading enjoyment at http://www.squidoo.com/Sigma 18-250. Also head over to http://www.digital-photographic-resources.com to find out more about this awesome lens, and some others, as well. Happy Shooting!

About the Author

I love photography and all things related to it. Cameras, camera gear, and image editing software fascinate me, so I am either buying the newest piece of equipment (or software) or researching my next purchase.

Hsm Lens Nikon

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