Tele Converter Lens

How do I auto focus Nikon AF-D lenses on D5000 DSLR?

Is there a way for me to use a converter that auto-focuses AF-D to AF-S (DX) format DSLR's like the Nikon D5000?
I was thinking of buying AF 85mm f1.8 lens, but it does not autofocus on my Nikon D5000.

Also, are there tele-converters that have internal focus motor and image stabilizer built in to them that works on Nikon D5000? Thanks.

D5000 can only handle AF-S lenses with the focus motor in the lens. You would need to use this as a manual focus lens on the D5000. If you had a D90, you could use this lens with full auto focus capability.

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Soligor Tele Converter Lens 2X to fit Canon TD
US $10.99
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Raynox DCR 2025PRO 22x Teleconverter Lens
US $102.50
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MD Minolta Celtic Lense 55MM and CPC multi coated auto tele converter 2X
US $50.00
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2x tele converter for 80mm etc Carl Zeiss lens and Hasselbad 500 c m cameras
US $79.99
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10932 Nikon TC E2 2X Tele Converter Lens for Nikon Digital Cameras
US $19.99
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Century Digital Series 2X Tele Converter Lens C42244 FS14845
US $9.99
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LN Cond Vivitar 70 150mm MF M SR MF Zoom Lens with Matched 2X Teleconverter
US $20.00
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Olympus Teleconverter 2X A for several OM lenses See listing
US $13.50
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MINT Quantaray Auto Focus 2X Teleconverter for NIKON Lens with Case Nice
US $51.00
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2x High definition teleconverter telephoto lens AF for Canon camera DSLR 58mm
US $19.41
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CANON CFE ROKUNAR 2X AUTO TELE CONVERTER LENS
US $.99
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Vivitar Automatic Tele Converter Lens 3X 5 for Minolta
US $.99
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Soligor Tele Converter TeleConverter 3X Lens Made in Japan with Case
US $9.99
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ACCESS 7 ELEMENT AUTO TELE CONVERTER LENS
US $10.00
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NIKON TC 14B 14X TELECONVERTER LENS IN BOX WITH CAPS TC14B EXCELLENT CONDITION
US $99.99
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Canon Extender EF 2x Lens Teleconverter
US $127.50
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Pentax Spotmatic M42 Mount 2X Tele Converter Lens 35mm Digital VGC
US $5.00
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NIKON TC 14E II AF S 14x TELECONVERTER LENS USED
US $299.99
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Kalimar MD Zoom Lens 2x Tele Converter M MD 8 200MM 9014302
US $9.99
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PB Vivitar Auto 2X Tele Converter Model A 1 Camera Lens Made In Japan K296854
US $.99
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Nikon Vivitar Macro Zoom Lens 80 200mm w MC teleconverter 2x 3 FMFGFEFE2 etc
US $55.00
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3 Used Lenses Vivitar Telephoto 400mm f56 MC Teleconverter Petri 118 55
US $55.90
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Century Optics HD 16X tele converter lens 85 72mm
US $689.99
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2X Teleconverter Lens for Nikon D5000 D3000 D90 D80 D60
US $109.95
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Pentax M SMC 50 mm F 20 Lens Soligor MP AUTO TELE CONVERTER 2X
US $65.00
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East Africa Safari ,Travel Tips To Safari Photography

Are you planning  for asafari?Do you know what are the problems you will face while on your safari?Then if not  hear we have A Travellers Quide  To Safari  Photography for you,

Preparing  For  A Departure.

When preparing you need to put to consideration very many aspects but we will only touch on the photography Tips as we dont want you to be dissappointed after spending alot of money on asafari and you are unable to get the right results.It is always unwise to commence a holiday with new untested equipment.With digital cameras,take some pictures on each of your memory cards and check that they download correctly onto your computer.For adigital multimedia storage device,check that your memory cards copy successfully and that you can then transfer the files onto your home computer.It is adviceable at least to put one roll of film through a new camera and carry out a full test on any newly purchased lenses.Before deaparture ,make yourself familiar with all the commonly used camera and lens fuctions.Ensure you understand all the functions of any digital storage systems you will be using.Researching might seem to be invaluable and having established the flora and fauna you are likely to encounter,will aid you in selecting the most appropriate equipment to satisfy your own photographic needs.Also ensure and it is for your own good and advantage to insure all your equipments incase of damage,theft in all the countries you will be visiting.It is paramount you keep a checklist of the cameras and lens serial numbers as this will be useful in an event you need to lodge aclaim.Should equipment be stolen,it is important you record a statement with the local police of that country andd get a document with rubber stamp as the insurance will only process compensation when they have this document.

WHAT TO BRING WITH YOU.

Cameras

These days there is avariety of cameras to choose from.For really successfully safari photographers a top brand  Single Lens Reflex (SLR) camera,either digital or film,with an interchargeable lens facility is ideal.Almost all of the top models have an auto facility which is  a great asset to the wilddlife photographer.This systems can save a valuable seconds and consequently secure pictures that may have been missed with manual focus equipment.Due to the rigours and stresses that any safari places on equipment ,it is strongly adviceable you take at least two camera bodies -there will be little or no chance of getting any camera repairs undertaken outside major cities.Obviously it is beneficial to have two identical camera bodies,but if this is not feasible you should ensure that your "back up" camera accepts the same range of lenses and accessories as your principle camera body.

Compact cameras have either a fixed or zoom lens,are quick andd easy to operate and prove ideal for those visitors wanting just a photographic record.When visiting coastal area it is possible to obtain underwater compacts.This is a relatively cheap way of getting started in underwater photography.Since most of these underwater compacts are  unpressurised they are only operational to depths of just over ametre.

Most of the compact digital cameras are similar to their film equipment in size and operation but have the added advantage of instant replay,either through a small built in monitor or computer link.Images are recorded on a memory card,so pictures can be quickly sorted,saved or deleted,to make space for more photography.An increasing number of digital videos records have a stills option, and these have the added advantage of being able to record hours of action. As most digital cameras are powered by rechargeable batteries dont forget to pack chargers,leads,and plug adaptors and also a spare rechargeable battery and memory card are paramount.

Lenses

If your choice is the SLR option you will need to think about what interchangeable lenses to take with you.The wide variety of photographic opportunities that are presented to the nature photographer whilst on safari demand an equally wide range of lenses.These can be found  with the manufacturer of your camera system in an excellent range of lenses to choose from.In supplement,independent lens manufacturer will be able to offer competitive prices and maybe different focal lengths.Amedium zoom lens of between 70 and 300mm and a short zoom lens of around 28 to 135mm will cover most photographic opportunities.For the more wary mammals and the vast majority of the bird species ,longer telephoto lenses are required.These lenses are usually 400mm,500mm or 600mm and although often heavy and rather large,are essential for the more serious nature photographer and some camera manufactureres even offer image stabilizer lenses.These use a vibration gyro which detects shaking and then counter balances the movement with  amagnate and coil driven optical compensation system.These particular lenses are useful for handholding situations such as from boat or vechicle.This technology really comes into its own when using longer telephoto lenses where camera shake is greatly magnified,it makes using 500mm and 600mm lenses with teleconvertors a far more successful  option.Many of the new lenses will have auto-focus and this will offer three options.Firstly,by switching ift off,you can manually focus,secondly,using  single shot auto-focus the camera will lock on to whatever you are pointingat,but will need activating again should the subject move.Thirdly,servo-focus can be selected where the auto-focus will be constantly updating the focus point:this is ideal for moving subjects.

Macro Lenses

The inclussion of a macro lens in your equipment bag is essential if your photographic interests are in  recording close-ups of insects and flowers.The most useful macro lenses have a focal length of between 90mm and 180mm : these allow a reasonable working distance from most subjects.With experience macro lenses of around 50 mm have too short  a working distance, which can disturb some  subjects.This short working distance can also often cause lighting difficulties ,particularly when using flash.The macro facility offered by some zoom lenses can be useful, but it is rather restricted and in no way matches the quality of a true macro  lens.

Cheaper  alternatives to amacro lens include the use of extension tubes,placed between any lens andd the camera body,thereby reducing the minimum focusing distance,the use of reversing rings and the use of close-up lenses attached to the front of an existing lens.

Lens Accessories

Tele-converters increase th lens magnification by a factor of either 1.4x or 2x and some zoom lenses are designed specifically to work with them.Extension tubes and close-up filter attachments are another way of increasing magnification for macro photography.A UV or skylight filter on each lens offers  extra protection from accidental damage to the front lens element. a polarising filter is well worth taking, as it will help contral reflection and increase colour saturation. Many enhancements  that filters achieve on film can be added later to digital images through computer  programs such as photoshop.

Digital Storage

Many of the digital cameras use some form of removable storage memory cardd,such as XD, Smart Media (SD) or compact Flash (CF) .Storage capacity is measured in megabits (mb) or Gigabits (GB) .The higher the "mb" or "GB" the more images can be stored between downloads. Its a good idea to use a digital storage device to dowenload your memory cards each night.These are palm size hard  drives that vary in capacity from 20 to 100+ gigabits. Some have small colour screens for viewing.Travelling with  a laptop is another alternative where images can be viewed,stored,or even burnt onto CD or DVD .Small battery power CD and DVD writers are also available and offer probably the most secure form of backup.

RAW or JPEGy

Most digital cameras offer the option to shoot in RAW or Jpeg and this is the format that records your image, the digital equivalent of film.Jpeg is  a file format that stores digitsl photographs in a very  space efficient way.It uses compression to reduce file sizes at the expense of fine image details to do this.The level of the compression ( and thus the loss of quality) can be varied. Raw files contain all the data collected by the sensor,not  a sub-sample as is the case with Jpeg files.Raw  gives the most flexibility for post correction of the exposure and  colour and is the preffered shooting format of most professional photographers.

Noise and ISO

 As in film photography,the noise level increases with higher ISO settings and shows itself in the form of pixels of the wrong colour appearing at random in dark areas. At ISO settings up to 400 very little noise is noticeable, so keep the ISO below 400 and save the higher ISO settings for when there is no alternative.

Film

There is avariety raging from negatives for prints or transparencies for projection,there is avast array of films to choose from.The speed or sensitivity to light is gauged by an ISO rating.The higher the ISO ,the more sensitive to light the film will be.However,the results will look more grainy.As light levels in East Africa are general very good,it should be possible to take advantage of the finer quality of the lower ISO films.The quality of film you require may be difficult to calculate.Try and work out a daily requirement and then double it! X-ray security checks at airports are standard procedure.However , those used for hand luggage checks should not cause any problems for film or digital. Hold luggage is aften checked with more powerful X-rays,so always take your film as hand luggage.

Camera Bags

For the protection of your camera equipment from damage,dust and rain is essential hence the need to buy a good quality camera bag.There are many  well-designed camera bags on the market  nowdays,with several more recent designs taking the form of rucksacks- these are excellent particularly if you expect to have to carry  your equipment any great distance.In selecting a suitable bag,resist the temptation to purchase one that is  too big- you will only feel obliged to fill it! with ever-tightening controls and  restrictions being imposed by airlines on the size  and weight of the cabin  baggage, the smaller the better.Waist - mounted camera and the lens pouches can help to spread the load.Stuff bags,sold in  most camping shops in varying sizes, offer an additional form of protection from dust and rain.

Camera Supports

The commonest cause of picture failure is undoubtedly lack of defination as aresult of camera shake.Ovecoming thi problem will increase your success rate enormously with the help of camera instructions manuals which give details of "How to hold your camera" and it is well worth developing a good technique in this area,with elbows locked tightly into the body.

Whenever possible we would recommend the use of a tripod. There are many lights, yet sturdy models on the market which will fit confortably into the average suitcase or roll bag.Monopods are also a good means of steadying the camera, but they do require a little practise. On most photographic safaris to East Africa the vast majority of filming will be undertaken from  a vechicle  during game drives, in most cases this precludes the use of  a tripod or monopod.The best alternative for photographing from a vechicle is to employ the use of a beabag, a very simple, but extremely effective method of camera support.Although beanbags are commercially available they are not difficult to make and all you need is  a section of cloth or canvas sewn to form a zippered bag of around 300mm by 150mm.This can be packed in your  luggage ,on arrival at your chosen destination,be filled with rice,beans or peas and then place it on the roof of the safari vechicle it quickly moulds around your camera and lens, forming a very efficient support.

Rifle stock and pistol grip supports allow freedom of movement when attempting to photograph moving subjects such as animals running or birds  in flight.if you have no option other than to hand hold your camera while shooting ,you should always ensure that your shutter speed is as great or greater than the focal lenghth of the lens in use, so for 500mm-1/60th:100mm-1?125th:200mm-1/250th:500mm-1/500th and so forth.

Once you have all as mentioned below you are set for your safari and ready for any evcentualities and are assured though we do have technical problems but you already know and have the backup.

Scenic Safari,sightseeing & aerial photography will only be enjoyable andd memorable when you get quality pictures orelse it is all awaste and hence the importance of giving you tips on what to do when perparing for a safari to avoid last minute dissappointments.

 

 

 

About the Author

Anthony A Juma is your guide to flights to east africa,scenic safaris east africa,helicopter safaris east africa,air ambulance& medical evacuation flights,Humanitarian flights eastern and centra africa and cargo & freight flights and for more information visit www.wingsoverafrica-aviation.com

Tele Converter Lens

Teleconverter Lens Sony
Sony Alpha DSLR-A500 (with 18-200mm lens)
Cheaper and with better photo quality than its sibling, the Sony Alpha DSLR-A500's quirky design is the only real flaw in an otherwise solid entry-level model with fast Live View shooting and a useful tilting LCD.

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TAMRON 2X MC7 BBAR AF 7 ELEMENT TELECONVERTER LENS fo MINOLTA MAXXUM SONY ALPHA
US $119.99
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2X Tele Converter Lens for Minolta Sony Alpha AF ZOOM
US $109.95
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VIVITAR 7 el AF 2X TeleConverter Tele lens for Sony Alpha DSLR A100 A200 A250
US $179.95
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2X Auto Focus TeleConverter Lens for Sony Alpha DSLR A350 A380 A100 A200 A250
US $110.00
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2X Tele Converter AF ZOOM Lens for Minolta Sony Alpha
US $104.92
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Genuine Kenko Teleplus MC4 AF 2X DGX Teleconverter 20X For Sony SAF S AF Lens
US $138.39
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VIVITAR VIV 2X7 S 2X TELE CONVERTER CONVERSION LENS FOR SONY ALPHA AF LENSES
US $159.99
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VIV 2x4 S 2X AF DG Vivitar Zoom TeleConverter for Sony Alpha DSLR telephoto lens
US $109.95
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Sony SAL20TC 20X Tele converter Lens
US $499.00
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7 ELEMENT TELEPHOTO TELE CONVERTER CONVERSION LENS FOR SONY ALPHA ZOOM LENSES
US $159.99
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Vivitar VIV2X7S 7El 2X Teleconverter Tele lens for Sony A850 A500 A380 A330 A100
US $179.95
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VIVITAR 7 element AF 2X X2 TeleConverter Tele lens for Sony Alpha A900 A700 A500
US $179.95
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Vivitar Series 1 2X AF Teleconverter Lens 4 Elements For Sony Alpha
US $98.99
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30mm 37mm WIDE Angle TELE Converter LENS Kit for SONY Panasonic Camera
US $31.94
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New Sony 14x Teleconverter Lens Konica Minolta Alpha
US $530.00
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New Sony 2x Teleconverter Lens Konica Minolta Alpha
US $530.00
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Bower 2X AF Teleconverter Lens for Sony Alpha Minolta SLR Camera
US $149.99
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VIVITAR 7 elem AF 2X TeleConverter Tele lens for Sony Alpha DSLR A55 A33 A65 A77
US $179.95
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Vivitar 2X AF Teleconverter Tele extender Lens For Sony Alpha Minolta SLR Camera
US $109.95
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2X Teleconverter Tele extendor Lens for Sony A850 A500 A380 A330 A100 SLR camera
US $109.95
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30mm WIDE ANGLE 2x TELE Converter LENS FOR Sony DCR DVD103 IP5 IP55
US $29.93
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Sony SAL14TC 14X Tele converter Lens
US $499.00
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BOWER MC7 7 element 2X TeleConverter Tele Extender Doubler fo Sony Minolta Lens
US $179.95
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2X Teleconverter Lens For Sony A900 A700 A350 A350 A100
US $149.99
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SONY Alpha Minolta 2x Tele CONVERTER LensDouble your BEERCAN or other A mount
US $118.88
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Teleconverter Lens Sony

Shopping.aol.com is a great place to buy your digital camera lens accessories from. For example, you could check out the excellent Canon WC-DC58A, 58mm 0.75x Wide Angle converter lens that will help you shoot more of an image than would be the case if you stuck with your ordinary digital camera lens. This is one of those digital camera lens accessories that have been specifically designed to improve the capabilities of digital cameras, and more particularly the Canon S2 IS. It is able to convert the focal length of the digital camera's body lens by about 0.75 and so provides added functionality.

Well Built And Durable

This Canon WC-DC58A digital camera lens accessories is well built and more importantly is durable though it does not offer users a chance to use a flash whenever this lens is attached to your digital camera. The reason is that the lens creates a shadow on whichever subject you are planning to click and in the process it blocks the camera's flash.

However, this is still one of those digital camera lens accessories that are well appreciated by users and experts alike. With it you can change your focal length from thirty-six millimeters to about twenty-seven millimeters and this gives your digital camera the capability of capturing a lot more of the scenery in your picture. But for the fact that this digital camera lens accessories blocks your flash there is nothing bad about it and so if you have about one hundred and twenty dollars to spare it could well turn out to be a very exciting purchase for you.

Another wonderful option in regard to good digital camera lens accessories, the Sony 2.0x Tele-Conversion lens is wonderful for those who wish to bring subjects at a greater distance to a more comfortable clicking distance. It can be yours for as little as between sixty-five dollars to ninety dollars approximately and is readily available from JR.Com and ElectronicsPLUS as too from Adorama and even Buy.com.

Other options in regard to digital camera lens accessories include fold optics lenses, fixed zoom lenses, fixed focal length lenses as too retractable zoom lenses and even interchangeable lenses.

With so many different types of digital camera accessories available it will certainly be a good idea to first find out more about which the best digital camera accessories are and then learn what makes them the best. Many would consider a camera bag and also memory cards to be the best while others might consider a tripod and a photo printer to be the better options.

Wide Converter Lens
Pantech Pursuit - green (AT&T)
The Pantech Pursuit is a great little messaging phone that is fun to use and is affordable as well.

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Original Canon WD 58 07x Wide Converter Lens GL1 GL2
US $99.00
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Nikon WCE68 WC E68 Wide Angle Converter Lens w UR E5 adapter
US $57.00
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Canon WD H72 72mm 08x Wide Angle Converter Lens
US $31.00
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AF Video Wide Converter 05x lense 48mm
US $5.00
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Century Digital Series 65X Wide Angle Converter Lens FS14844
US $9.99
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Digital Pro HD Series Super Wide Angle Lens With Macro Converter FREE UV Filt
US $99.00
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Wide Angle MACRO 043x Converter fr Canon Rebel Olympus Nikon Sony 58mm Lens
US $17.99
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58mm 045x Wide Angle Converter 125 Macro Lens For Canon Nikon Sony Camera
US $25.01
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US $39.99
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US $39.95
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Wide Angle Lens MACRO 043x 62mm Converter for Sony nikon lenses Cleaning kit
US $27.99
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Olympus WCON P01 Wide Converter Lens for Micro 4 3 PEN Cameras NEW
US $85.00
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CANON WC DC58 WIDE CONVERTER LENS 08X
US $75.99
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US $24.00
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Pixco wc 52e45 52mm High Definition Wide MACRO Converter LUMIX other lenses
US $.02
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JOB LOT NOS NEW 65 Canon Wide and Tele converters with adapters and lens hoods
US $314.32
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US $33.95
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045X Wide Angle Converter Lens for 37mm filter thread
US $17.99
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52mm 045x Wide Angle Converter 125 Macro Lens For Nikon Canon Sony Camera
US $25.01
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Holga Lens for Nikon D7000 D5100 D3100 D300 D300s Black 05X Wide Converter
US $32.17
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Nikon Wide Converter WC E68 68x Ultra Wide Lens
US $8.88
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Sony VCL ECU1 Ultra Wide Converter Lens SEL16F28 For Nex
US $148.05
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2 SIGMA LENS COVERTERS WIDE CONVERTER TELE CONVERTER AF VIDEO CAMERA CONVERTER
US $.99
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Canon 075 Wide Converter Conversion Lens WC DC58B for PowerShot G7 G9
US $34.75
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Olympus WCON P01 Wide Converter for MZUIKO 14 42mm f 35 56 II Lens
US $126.59
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More Opportunities for Good Photographic Composition – Adding Motion to Still Photography

Composition of good photography is all about the ability to visualize the shot as a painter would a canvas. What elements can the artist or cameraman add to create the well composed image?

One of these facets is motion. It is possible to enhance photographic composition with strong visual references implying impressions of movement through the photograph. The viewer is drawn into the picture with a number of devices available to the photographer.

A distant point of interest in a street scene, for example, attracts the eye of the beholder when converging lines appear to intersect with the object of interest. Where the pavement on each side of the street adjoins the roadway, where the windows and roof lines of the adjacent buildings appear to line up, where a line of traffic heads towards the distant object: all these facets create the appearance of lines that converge on the object and induce the eye to follow into the shot achieving a sensory appreciation of movement.

Building a composition allows the artist or photographer the opportunity to add in ingredients that define the shot. Connecting these components with a visual line or in a visual progression of elements leads the viewer into the shot. These apparent lines of sight need not be necessarily vertical or horizontal. In fact a diagonal achieves dynamism that is often lacking in a photograph that concentrates on horizontal or vertical elements.

 Picture waterfowl alighting on a lake: the birds tend to ski in on their webbed feet, wings spread wide for braking to a soft water landing. The process creates a lot of water action offering a number of shot options: the bird creates a wake as it glides in before settling into the water. A longer shot picks up the initial splash of the water from the landing and links subsequent water disturbances.The line between the first contact with the water and the settling bird creates the sense of motion.

The second picture option is to portray the bird in close-up with wings spread wide as it touches the water. The splash from contact with the water will radiate away from the forward momentum of the bird. Capturing the bird and spray from the water splashes not only aides the sense of motion but will sometimes present rainbow colours of the spectrum refracted in the water droplets adding another dimension to the photo.    

Clean backgrounds allow the viewer to centre on the primary object of interest. If the object appears to be passing through the picture then the sense of motion is enhanced when the background is clean and an item in the foreground (in focus) creates the imaginary line between the foreground object and the point of interest, again drawing the viewer in to the photo.

Focus on a street scene and position an approaching vehicle so that it is coming forward at an angle of around thirty degrees. By using an open bend in the street, the approaching vehicle achieves a sense of arriving from another direction and the roadway beyond fills the photo behind the subject. Other vehicles, walking people, buildings adjacent to the curb-side add interest to the composition. Using a wide angle lens, the impression of curvature and appreciation of motion both help to augment the image.

Similar shots can be composed to convey motion in sporting situations with racers pouring down a hill where the slope of trajectory down the hill and the angle of approach can aid the appearance of motion. By panning with the approaching racers and achieving a focus point just where the racers begin to transition past the photographer and before the racers deviate off the approach vector, another aspect is added to the photographic composition. The background will begin to blur adding to the sense of motion.  In lap situations where participants cover the terrain a number of times the shooter has the opportunity to work through different locations and composition options to optimise photographs. 

So, in summary, there are a variety of opportunities to add movement to still photographs. Where possible, plan shots in advance, using time before arrival of the subject to assess approach vectors, elements to add into the image and practise the rapid alignment of camera to the right position to acquire the desired subject before it disappears out of picture.

One of the great pleasures I enjoy is assessing and analysing my photos after a shoot. If I’ve got plenty of quality images to choose from, I’m more likely to find some really great pics so take lots of photographs and cull the less attractive later. Another tip is to buy extra storage: digital storage is cheap. Save even the not so attractive images for extracting  segments for later use in other compositions such as montages. Above all, practise, practise, practise and don’t forget to have fun.

Additional Resources:

Some sources that you might like to check out for techniques, tips, tricks,  and more can be found in photography books and magazines at my website portal www.photographyglobal.com where you can follow links to the best deals and discounts that that the web has to offer.  

For a shopping portal that offers access to best value and hard to beat buys for camera and photography accessories and equipment, you won't go past my website portal www.photographyglobal.com where you can follow links to the best deals and discounts that that the web has to offer.

One of the things I really like about having a hobby such as photography is that I can make money from my hobby and as you might appreciate, there can be no better thing, no better lifestyle option than doing the things you love to do....

The bonus is that my love of photography can produce income, enhancing my lifestyle and sense of satisfaction with my hobby.

I'd like to give others the opportunity to convert their favourite hobby into a financially rewarding life-style choice by helping you create a business opportunity and income stream from your favourite hobby.

Follow this link to www.makemoney.photographyglobal.com to learn how!!! 

 

   

About the Author

I've walked this earth for the last 57 years and started taking pics as a kid on a "Box Brownie" before migrating to a Kodak Instamatic 110. I moved up to 35mm with a Minolta 7 Series II in 1976 and eventually made it to SLR via the Canon T70 and some decent Tamron Telephoto and wide angle lenses in 1983. I recently moved into digital photography and just love the instant immediacy and myriad options that the new technology brings.

I specialize in landscape photography. Living in New Zealand (Godzone), I am blessed with many spectacular photo opportunities. These days my camera is almost always close at hand and I have been rewarded with some awesome results.

I have twice been the recipient of the Editor's Choice Bronze Award from the International Library of Photography and have been involved for the last 10 years in my church video team where my responsibilities include cameraman, director, team manager.

A foray onto the Internet a couple of years ago led to the establishment of my first photography website (since sold) and I have a string of similar projects in train including a photography store-front - web portal,

www.photographyglobal.com

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Supercharge Your Lens With Super Fast Google Indexing

It happens to everyone. They produce what they think is the perfect website or Squidoo lens, only to fail to get any visitors. Why does this happen? Everything looks perfect! You have lots of verbage and pictures. Your content is relevant and people ARE searching for what you have to offer. So what's the problem?

Unfortunately, it could be LOTS of things! Here are some things to look for when optimizing your web site or lens to get free ranking on Google.

Keywords: Not to little – not too much. Your page should have no more than a 9% ratio of keyword to total words. More than that and Google will penalize you.

Your main keyword should be in:

  • the url of your site
  • the title
  • the first few words of your intro
  • the module titles of a lens – or the subheadings of a web page
  • anchor text in the lens of page

These are all hot spots that Google looks at, so be sure to use them.

Images – are your images named something like “abc123” or do you give them names appropriate to your keywords? Remember, when you name them on your hard drive you can use spaces – HOWEVER, when you upload them to your lens or web site, they will get renamed to something irrelevant if they have to convert those spaces. It's always best to just name them correctly in the first place. Instead of “Pic of acne scar”, name your image “acne-scar”. This way when it's uploaded it will be ready to go and recognizable by Google!

Have you pinged your website or lens? Everytime you update your page or lens, ping it! This tells all of the search engines that there is something new to check out on your site.

Are you blogging about your site or lens. Blogging gives you back links – another way Google has of figuring out if your “important” enough to come visit and rank. There are a lot of free blogging places out there. Grab one and use it!

Are you writing enough articles. Articles, like blogging, provides back links to your site. Make sure you do enough. Try to get at least one of your articles on Ezine. They are the premier article site and Google loves them.

These are just a few tips to help you get indexed by Google. If you do them all it shouldn't take long at all for HER to find you!

About the Author

Pot Pie Girl teaches these techniques in her One Week Marketing Plan as well as many, many others. Currently she is giving away the first 18 pages of her One Week Plan to help you get started. If you'd rather, you can visit my Squidoo site, Ode To Pot Pie Girl to learn more. (By the way, Ode To Pot Pie Girl was indexed by Google in less than 5 hours!) See you there!

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The First Ever Digital Camera
Although Texas Instruments had designed a film-less, electronic camera in 1972, it wasn’t necessarily digital—it used analog electronics. Sasson—then 25 years old—worked with what he had, concocting an analog-to-digital converter, a Kodak movie camera lens and CCD chips.

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Which digital camera is better Canon Powershot or Sony Cybershot, details in question?

Canon PowerShot SD600 Digital IXUS or 6.0 megapixel Sony Cyber-shot DSC-W120 Which is the better camera?

Canon is better

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Last year, Canon has two other commanders in his army of cameras with the introduction of the A630 and A640. While they still include many of the same options as they in its predecessor, the resolution was adopted by many other new and exciting features along increased.

We have to review the Power Shot A630, which claims a user friendly design with the useful to advanced functionality that will appeal equally to beginners and serious Photo enthusiasts. Let's see how good it really is.

The 8.0-megapixel sensor allows for creative cropping while detailed enough for large, high-quality prints. A new Safety Zoom uses the high resolution of the camera to take extra zoom magnification without affecting image quality - up to 16x zoom when shooting Small size images offer. Users can also activate the Digital Tele-Converter for extra telephoto all images, similar to adding add a teleconverter lens to the camera.

The 4x optical zoom lens achieves a 35-140mm focal length (35mm equivalent) allows, while to get the camera to a compact size. The lens construction includes 8 elements in 7 groups, including two spherical elements to maximize sharpness over the entire image. With a maximum aperture range of f2.8 (wide angle) to f4.1 (telephoto), the lens is remarkably bright at the telephoto end.

The Powers hot A630 offers the user with a range of versatile features for creative photography. A selection of 21 shooting modes includes Program, Aperture Priority AE, Shutter Priority and full manual mode for complete control of exposure. A Second Curtain Sync function allows for creative flash exposures, such as light trails. Artistic photo effects can be applied be in-camera during and after the recording of my colors.

Designed with ease of use in mind, the Canon A630 offers both a set of functions that they accessible for beginners as well as the possibility of more control over the photographic process. For the first category of users, there is a fully automatic Mode and a generous selection of thirteen scene modes. For the latter, see Manual, Aperture and shutter priority exposures possible, plus preset or manual white balance, And three metering modes. A VGA-or-below movie mode recorded videos of up to 30 frames per second, up to one hours (or one gigabyte) per clip.

Overall this is a great camera for home use and for your presence on the go. It is larger than many pocket cameras, but I've found that the pivot - screen protects the screen when folded away. My wife and I were also able to take photos of ourselves in case there is no one to help. It is also just plain fun to be able to rotate the screen so that people can see them from the pictures I take to search. The camera is still small enough to fit in a suit jacket pocket or handbag. It has all the standard features and is very fast. The time to power and take your first shot is quick, so hopefully you will not be too miss you wanted to shoot, if your camera was off. You can rotate the camera in a vertical or horizontal position and rotate the pictures in review mode to the position the screen is housed in.

This camera has an automatic screen cap, rather than the old style caps, which are connected to the body the camera. This helps with your first shot, because it must be one less thing to worry when you turn the camera. It's one less thing to lose. I think this is the best camera in this price range. I paid about $ 250 from new egg. It was delivered the next day via standard shipping with a cheap 1 GB memory card. I recommend at least 1 GB card that will allow you to make about 300 photos at a setting one step below the highest quality. This enables you to another beautiful 11 "print x 17" without problems.

The Power Shot A630 packs a multitude of advanced features in a remarkably compact space:

* 8.0 megapixel
* 2.5-inch vari-angle LCD screen and real-image optical viewfinder
* 4x optical zoom
* DIGIC II, iSAPS, 9-point AiAF, Flexi-zone AF / AE
* Digital Tele-Converter and Safety Zoom
* 21 shooting modes

About the Author:

Read about Digital Camera Reviews and Mobile Phone Reviews. Also read about Mp3 Player Reviews

Article Source: ArticlesBase.com - Information About Canon Powershot A630

Canon PowerShot SD880 IS (gold) first look

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using metal hydride batteries for Nickel is good because you can recharge them. They recharge in groups of 2 or 4 if you still have spare parts

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I am an amateur photographer for 36 years and when you work with 35mm film all your life and take the plunge and buy your first digital camera and, like him, well it's time to tell everyone. My first digital camera is the Canon PowerShot A590 IS.

With eight megapixels of large 2.5-inch LCD screen, 4X optical zoom and optical image stabilization to prevent blurring, the Canon PowerShot is a sturdy little camera. Add to that modes of manual and automatic shooting, including how the new Canon A590IS system makes it easy to picture taking Worry Free. You can also add or lens Wide angle converter lens.

The new Easy Mode is so simple that you can take the Canon PowerShot A590IS right out of the box and once you choose Easy mode the camera will handle everything automatically. He knows when to use flash or not. The brightness is adjusted automatically. Just to focus on your subject.

The PowerShot A590IS is a digital point and shoot camera. Overall it is a great camera for the price. Offering great image quality with the auto settings for the casual user, but also a powerful set of features for the photographer advanced.

The Canon PowerShot A590 IS has some of the highest reviews on the Internet. It is easy to use even if your first digital camera. It takes great pictures. It comes with manual and automatic modes. The specifications say the A590IS is small, lightweight and easy to transport. The device is powered by AA batteries that are available everywhere. It also can take short clips. You can not beat this camera for price.

Michael Contaro is an amateur photographer for 36 years and has taken photos at every family function for the last 4 decades and has never been paid by any of his relatives for his services.

You can read more about the Canon A590IS PowerShot here and here http://A590ISCamera.com

Gadget Show Web TV - Kodak Easy Share V1003

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The difference between angle lens. "Wide" lens and fisheye "video for what.

Lens just like corn. Very wide angle lens - so broad that virtually all can see your page. - But the problem is - as noted above. - The image to be squashed in the lens often. distorts images to produce the image - see the bottom of the bottle. ~.

So you decided to become a real photographer? You buy a good SLR and less now. ™ € youâ Although some new pictures look pretty good. You want to be better than a good lens. But for many types of lenses out there! A wide array telephotos, and even zoom lens. fisheyes â € "is one you should choose?

Different lenses to different results, but you should know the type of each lens and the lens will have to decide the best components and power issues. Letâ € ™ s go over each lens and see if we can understand:.

Wide angle lens - such as name,. Wide angle lens can be used widely. Field than usual. This is useful when the lens. landscapes and views. angleâ € ™ s broad term focus is generally normal. 24mm and 28mm. Wide angle lens can focus. Foregrounds and the background simultaneously. If ™ € youâ new images in every shot is important, you should use wide angle lens.

Tel lenses â € "a lens focal length. Itâ € ™ s much in the way objects near and far horizon. magnified. So if you are in sports. Performances, or any situation that it's very far from you call your lens will work wonders. Calls can also show greater detail the human eye's lower depths. Branch and exclusive focus on creating clear and vibrant images. There are also calls lens focal length, but most are. 300mm, they may be pretty hard because every glass. Work. Youâ € ™ LL may be set or legs. somebodyâ € ™ s head.

Macro lenses â € "should be used. When you need a photo of the ladybug on the flowers. Macro lens enables you to use. close ups too. a very high quality photos and can be remotely fair to the dismay is not. Eye Department.

Fisheye â € "These lenses are always fun and exciting to use. Their view of 180 degrees and create a distortion of the truth. When shooting landscape will have different curves. When shooting people as they will see. ™ € youâ new look through peephole.

What it basically is vice Teleconverter lens between the camera and can be attached to your lens. Do not add it ™. € You lensâ s focal length. So why buy a bigger lens. And not converted? Because quality. Teleconverter. The focus and quality of light your lens will be reduced. If you decide to buy. teleconverter. Get a good one.

Looking for a new lens or lens better than to get the perfect photo? Look for the right light and speed right? Www.photo4less.com VisitÂ. For all your photography needs. If itâ € ™ new camera. SA, large lens, flash, filters and even. Room equipment www.photo4less.com. Dark â € "is fully stocked and ready for you. Purchase. Even in low light settings.

www.photo4less.com can answer all your photography needs if. itâ € ™ SA new camera lens big, flash,. Although filters and darkroom equipment. â € "We are fully stocked and ready to buy.

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Mark Etinger is a business strategist at Ajax Union Marketing Ajax Union specializes in Business Development and Internet Marketing

Article Source: ArticlesBase.com - Ready to become a professional photographer? Here’s how to pick a professional lens

How to mod a Sunpak .5x wide angle lens into a fisheye Part 1

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What is the use of a teleconverter lens reflex digital camera?

I own a Nikon D80 and the kit 2 glasses (18-55mm & 55-200mm). I noticed in someones video on YouTube that had what looked like a lens with a lens. Is generally teleconverter lens and are considered general lack of zooms or may be used in conjunction with 55-200mm to get rank? Thank you

Teleconverters, where they will work with your lens focal length extending to the detriment of their maximum aperture. 1.4 converters you lose 1 stop of aperture maximum 2x: 2 stops. You also miss something of quality over a longer objective, but in many cases, you buy a converter, because it is small, easily portable and cheap, not because they provide the best possible images. The converter manufacturer must list the objectives who works with: Nikon is there to http://www.nikonusa.com/Find-Your-Nikon/Product/ Camera-Lenses/2129/AF-S-Teleconverter-TC-14E-II.html

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